I was reading an interesting article in the local paper about the American chestnut restoration efforts. The article by Alice Felts, in the Fauquier Times Democrat, discussed efforts by the students, teachers, and arborists to re-introduce a new chestnut tree that is 15/16th’s American chestnut, and 1/16th Asian chestnut. The Asian chestnut was the source of the blight that killed all the American chestnuts. As of this writing, the article was not up on the web.
This introduction seems a bit like allergy treatments. They inject you with a bit of the thing that is the problem so that a natural immunity can occur. The efforts by The American Chestnut Foundation, http://www.acf.org/ is very interesting as to how to ever so slightly alter the genetics of the tree to allow it to grow once again. The American chestnut has been described as the “Redwood of the East”, a giant of a tree that created huge eco-systems almost single-handedly. Its nuts fed whole communities of wildlife, and its wood a prime source of naturally rot resistant building material.
I’m thinking I need some chestnuts in my forest………
Showing posts with label wood 101. Show all posts
Showing posts with label wood 101. Show all posts
Monday, April 6, 2009
Tuesday, October 28, 2008
"I'm somebody now!"
I like to think of myself as being good at what I do. I work for a company that has been in business for 32 years, and I’ve been a part of it for the last 22. And yet every day I learn something new as a woodworker. In this field, it is very hard to be a “know-it-all,” no matter how hard I may try. So, as you can see, today when I make a piece of furniture for a customer, there are many things--collected over my 25 years as a woodworker--that I take into account. You might even consider me an expert furniture maker… even a master craftsman.
My extremely talented Marketing Director recently coerced me into writing down some of my sage knowledge in the form of an article, which we submitted to DesignLine magazine. Today the mail arrived, and with it came the magazine, with my published article on pages 16 – 17! “The new phone book’s here! The new phone book’s here! I’m somebody now!”
So, what do you think? Did you learn something? Bonus points if you can guess which movie I’ve quoted.
My extremely talented Marketing Director recently coerced me into writing down some of my sage knowledge in the form of an article, which we submitted to DesignLine magazine. Today the mail arrived, and with it came the magazine, with my published article on pages 16 – 17! “The new phone book’s here! The new phone book’s here! I’m somebody now!”
So, what do you think? Did you learn something? Bonus points if you can guess which movie I’ve quoted.
Labels:
furniture,
wood 101,
woodworking
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Friday, October 3, 2008
Linnaea Updates
Jason and me with "the slider" cabinet. The top doors slide to the center or the far left and right to reveal a jewelry drawer in the top middle. The drawer is on metal glides for full extension and is fully lined with a complete jewelry organizer. The drawers are curved fronts, like the case and top. These pieces should be in the showroom within two weeks.
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design,
furniture,
wood 101,
woodworking
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Monday, September 29, 2008
Making Your Linnaea Dresser Be All It Can Be
I'm working on the pedestals for the Linnaea cabinets. We have been making decisions on the size of it, and it has been growing progressively. Seems like each time we work with it, the pedestal grows about 1/2".
The pedestal has legs that are set at angles to the case. The legs are actually 5-sided, with a beveled interior area for the skirts to connect. They are 8" high, and step out about 3 1/2" in two directions. This is fairly involved as far as pedestals go.
The concern over structure here is pretty big. Many people are not kind to their furnishings, myself included, and I have a genuine concern of these legs getting sheared off from the piece, getting dragged, hit with large objects, dropped, etc. I'm always thinking of the worst case scenario when I design and build furniture. We originally were going to use a metal corner bracket to help support the joint. We found that the screw needed to provide the majority of the strength would need to run through the intersection of the two skirts, and would actually diminish the joint's integrity by possibly fracturing the glued joint. If you have ever run a screw into a piece of wood and had the wood split, imagine running a screw into the intersection of three pieces of wood. Hard to imagine a good outcome here.
We decided that best approach to the problem was to do what they would have done in 1960, a good old-fashioned corner block that was glued and screwed to the skirts. You can see the difference between the metal corner bracket and the corner block in the photo. The effect is that the skirts become much more rigid, and thereby don't allow any flex in the leg joint. The real test will be when I stand on top of the chest to "stress test" the pedestal. I'll keep you posted.
The pedestal has legs that are set at angles to the case. The legs are actually 5-sided, with a beveled interior area for the skirts to connect. They are 8" high, and step out about 3 1/2" in two directions. This is fairly involved as far as pedestals go.
The concern over structure here is pretty big. Many people are not kind to their furnishings, myself included, and I have a genuine concern of these legs getting sheared off from the piece, getting dragged, hit with large objects, dropped, etc. I'm always thinking of the worst case scenario when I design and build furniture. We originally were going to use a metal corner bracket to help support the joint. We found that the screw needed to provide the majority of the strength would need to run through the intersection of the two skirts, and would actually diminish the joint's integrity by possibly fracturing the glued joint. If you have ever run a screw into a piece of wood and had the wood split, imagine running a screw into the intersection of three pieces of wood. Hard to imagine a good outcome here.
We decided that best approach to the problem was to do what they would have done in 1960, a good old-fashioned corner block that was glued and screwed to the skirts. You can see the difference between the metal corner bracket and the corner block in the photo. The effect is that the skirts become much more rigid, and thereby don't allow any flex in the leg joint. The real test will be when I stand on top of the chest to "stress test" the pedestal. I'll keep you posted.
Labels:
design,
furniture,
wood 101,
woodworking
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Friday, September 26, 2008
Quarter Sawn Lumber
I was asked to write about wood, or more specifically, the way wood is cut. This opens up a whole bunch of doors, but for the purposes of this blog, we’re only talking about the way our lumber is cut for our uses.
There is a much better description of the way wood is cut in an article I was reading, so rather than bore you with my description, check it out. I will explain the basics here.
Plain sawn lumber is just as it sounds. It is cut flatly from the log, and is the most common way wood is cut. The net effect is a “cathedral” type grain pattern that is very pleasing aesthetically. Our cherry, red oak, birch, maple, walnut, and mahogany are all plain sawn.
Quarter sawn lumber is wood that has been taken from the tree very differently. The tree is first quartered, or cut into four sections. The boards are then taken from the tree in one of several different ways. The net effect is a straight grain, often times creating interesting patterns known as ray flecks.
There are two basic reasons why wood would be quartered, either for stability or looks. When you quarter lumber, it becomes more stable than plain sawn wood. It will expand and contract primarily the thickness of the board, not the width like plain sawn. The look of quartered lumber, or specifically the ray flecks, is the desired effect. It gives the lumber depth and interest in a different way.
The reason we carry quarter sawn white oak and plain sawn red oak is largely based on history. Quartered white oak would have been the wood of choice during the arts and crafts movement, the original one, a hundred years ago. As a result, many of our customers own antiques that they want to match or compliment in some way, and the quartered white oak just foots the bill. Red oak has traditionally been plain sawn with large, dramatic cathedrals in the grain patterns, so much like the expectations surrounding white oak, there are similar demands for plain sawn red oak instead of quartered.
You can get any log quartered if you like. I have worked with quartered cherry, maple, sycamore, red oak, white oak, and several others. Some types of wood have more drama in them when they are quartered than some others.
What is the best wood for you? I get asked this a lot. I get asked a lot of questions. What most people mean is “This is how I live, how many kids I have, how often I move, and what I want the piece for. Which wood is best here?” The answer is always the same within the varieties of the hardwoods we offer, the durability, longevity, soundness of each wood is comparable, so……………..the best wood for you is the one you like, the one that makes you happy. This sounds too easy!
There is a much better description of the way wood is cut in an article I was reading, so rather than bore you with my description, check it out. I will explain the basics here.
Plain sawn lumber is just as it sounds. It is cut flatly from the log, and is the most common way wood is cut. The net effect is a “cathedral” type grain pattern that is very pleasing aesthetically. Our cherry, red oak, birch, maple, walnut, and mahogany are all plain sawn.
Quarter sawn lumber is wood that has been taken from the tree very differently. The tree is first quartered, or cut into four sections. The boards are then taken from the tree in one of several different ways. The net effect is a straight grain, often times creating interesting patterns known as ray flecks.
There are two basic reasons why wood would be quartered, either for stability or looks. When you quarter lumber, it becomes more stable than plain sawn wood. It will expand and contract primarily the thickness of the board, not the width like plain sawn. The look of quartered lumber, or specifically the ray flecks, is the desired effect. It gives the lumber depth and interest in a different way.
The reason we carry quarter sawn white oak and plain sawn red oak is largely based on history. Quartered white oak would have been the wood of choice during the arts and crafts movement, the original one, a hundred years ago. As a result, many of our customers own antiques that they want to match or compliment in some way, and the quartered white oak just foots the bill. Red oak has traditionally been plain sawn with large, dramatic cathedrals in the grain patterns, so much like the expectations surrounding white oak, there are similar demands for plain sawn red oak instead of quartered.
You can get any log quartered if you like. I have worked with quartered cherry, maple, sycamore, red oak, white oak, and several others. Some types of wood have more drama in them when they are quartered than some others.
What is the best wood for you? I get asked this a lot. I get asked a lot of questions. What most people mean is “This is how I live, how many kids I have, how often I move, and what I want the piece for. Which wood is best here?” The answer is always the same within the varieties of the hardwoods we offer, the durability, longevity, soundness of each wood is comparable, so……………..the best wood for you is the one you like, the one that makes you happy. This sounds too easy!
Labels:
furniture,
lumber,
wood 101,
woodworking
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